Saturday, 19 April 2014

Doctor Who Nominated in Hugo Awards 2014

The Hugo Award Nominations for 2014 were announced at Loncon 3 today, and Doctor Who has taken over the Best Dramatic Presentation, Short Form Category. The nominees are as follows:

  • An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
  • Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
  • Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)
  • The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
  • Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
  • Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)

Doctor Who also received related nominations in two other categories; Queers Dig Time Lords: A Celebration of Doctor Who by the LGBTQ Fans Who Love It, Edited by Sigrid Ellis & Michael Damian Thomas (Mad Norwegian Press) was nominated for Best Related Work (which we reviewed here!) and “The Girl Who Loved Doctor Who”, written by Paul Cornell, illustrated by Jimmy Broxton (Doctor Who Special 2013, IDW) was nominated for Best Graphic Story.

Winners will be announced in August.

Source, via.

Friday, 18 April 2014

More Doctor Who Filming Pictures - Series 8 Episode 3 - Robin Hood

Picture from previous filming here.
More Doctor Who filming pictures from the filming of episode 3, starring Tom Riley and Ben Miller alongside regulars Peter Capaldi and Jenna Coleman, have been released by Wales Online. In them, you can see a circus and pictures of the medieval setting at Caerphilly Castle. You can see them at the links below:

Gallery 1 | Gallery 2


Tom Baker Horror Channel Q&A

On Monday, the Horror Channel presented itself with a magnificent press event announcing a selection of episodes on the Horror Channel, alongside a Q&A session with Tom Baker. Here is the transcript of that Q&A. It's rather long, but it's well worth it! A roundup of the rest of the day will follow later.

Thanks to everyone who sent in questions. I'm told that there will be another opportunity to ask questions in the next few weeks so if there's anything that hasn't been asked, please do let us know. More details to come shortly!

Now that the Horror Channel are showing classic episodes, which of your episodes was the most horrific and why?

Oh, I thought they were all great comedy when I was doing them. Though I suppose they are going to talk about, the very obvious, Talons of Weng Chiang and things like that, all that rather spooky stuff...and there was one about Pyramids....Pyramids of Mars.

Do you think Doctor Who should be horrific? Is that a key part?

Well....Yes. I think it should be whatever people want it to be. I mean, I'm very interested in Horror. Not so much now, horror is an actuality of me now. We like to be frightened...I heard a woman the other day in Waterstones who said "Have you got anything...murder? Gruesome? Have you got anything like that?" and when you look, that's the biggest selling thing, isn't it? We all want to get away from sanity and chastity and virtue and be frightened and enter another world when in reality, of course, we want nice neighbours and no crime, don't we? It's that lovely area of our imagination which says "let's get out of here and into our imaginations", I think.

What's it like seeing the fans enthusiasm for your character to this day?

I dare say you're referring to ExCeL, aren't you? [50th Anniversary convention] Seeing the fans enthusiasm donkey's years after I've left is really quite extraordinary and also the intensity of their emotions. I get lots of mail, probably 10 a day or something like that, and they're all emotional. People thanking me and reminding me of their childhood and how happy they were. In those days, television was so…allowed us to cohere more, didn't it, without video recorder. You had to watch it to watch television in real-time and talk about it the next day, otherwise you were out of the loop. And so people stop me and say sweet things.
A man stopped me in Oxford Street and said he couldn't believe it. He stopped me and said "I can't believe it" and I caught a glimpse of myself in the shop window and I thought I can't believe it either. He kept saying "I can't believe it" and he said "Look, when I was a little boy I was in care in Wales somewhere in a home. Nobody wanted us. Nobody wanted me." And then his eyes came to tears and he said "and you made a difference." I was terribly touched by that. I made a difference. And I went to speak to him and then he couldn't speak. He just gave little eloquent punch that sometimes people do. And he was gone.
So those little encounters....the other day, a man wrote to me and he was getting married. He met his girlfriend in a queue when I was signing books. The queue was so long, he was introduced to this girl and by the time he got to me, he was engaged. In America, of course, in the long queues, some people met in a queue and by the time they got to me, they were married. And so this fellow now wants me to actually conduct the wedding. I had to tell him, 'listen, I checked the laws out.' I googled it up. And it wasn't allowed. I thought it might be a fun photo shoot, but it's not allowed. I'd have to do a course and I'm not in the mood for becoming a registrar.

This season on the Horror Channel is going to involve other Doctors as well. Is the fact that there are other actors as well something that you have reconciled with or was that always an uncomfortable truth for you?

Well, it only recently dawned on me that there were other Doctors. I don't know them and I've got no desire to know them. And of course, I've never watched them. I thought, it was only fair never to watch them, because I didn't watch my own myself. I think all I wanted to do was do it.
You see, the thing is, I can say it now because it doesn't really matter what I say. I was playing Doctor Who before I got the part. I didn't watch it because I was so opinionated about which shots they use. I just celebrated coming out of obscurity and into being a children's hero and not to be soppy about it but it really gave me enormous pleasure and I did a lot to promote the programme and still do.

When you came back and appeared with Matt last year, was that fun?

Going to Cardiff on a winters morning at four o'clock couldn't possibly be fun but it was nice and I didn't understand the cameras anymore because of the HD, so I was a bit uneasy. But Matt Smith was a charming young man and we did the scene, which people liked a lot.
I have to tell you also that I had a very poor background in Liverpool so I wanted to be – everybody wants to be loved and admired and everything – I always wanted to be adored, like lots of people. I bet you'd like to be adored, wouldn't you? Don't be smug... And so when it happened and suddenly I was adored, I was ready for. I really was ready for it and of course I've never recovered from it. And also of course I'm still playing the part for Big Finish, Big Finish Productions. I think I've got 16 or 18 adventures so it's still going on. It doesn't matter that I can't walk very well now because that's the lovely thing about audio. So it was a happy time and it goes on being happy.
But listen, are you interested in happiness? I mean, if you want misery I can change tack...

How does it feel when you are approached by young fans who probably weren't even born when the classic series of Doctor Who aired? 

I'm not approached now by young fans. I'm approached by early middle-aged fans. Sometimes they have their children with them , and then something charming happens. I usually pass over a Jelly Baby and I have lots of small coins because children adore money. I say "are you alright for money" to a little boy and he's like "Well, no", so I give a pound and a 20p. And then I say, look, if you meet a begger, give him the 20p and you can keep the pound and he said "alright". He looks at his father and thinks I'm mad. Fortunately, my wife isn't very poor so I've got a pocket full of change.  I can't bear poor women, they make me feel so insecure. Even when I was young, someone said that it's a bit like earache. You can't stop thinking about it.When you're poor and you go to bed thinking "Christ I'm poor", when you wake in the night for a pee and you think "I'm still poor" and when it comes to passion and lovemaking, being poor kinda gets in the way I think anyway. You say "darling, this is marvellous, absolutely marvellous. What did you say? What do you mean you're still poor?" And all passion flies.

Speaking about the other Doctors, do you have any advice for Peter Capaldi?

Ah, no. No, I don't have any advice for anyone. Not for anyone, certainly not someone who's going to be playing Doctor Who. He's a very accomplished actor; I've seen him do those mean things, you know, swearing into his mobile.
Nobody has ever failed, have they? Nobody has ever failed, so there you are. He's going to be alright.

Going back to the 50th Anniversary, do you have a clear idea, or an opinion, as to who your character was? Was he an older 4th Doctor or.....?

Well, typical of the BBC, nobody knows. It could be anything. It could be the next director general for I know. The thing with the BBC is you've really got to be able to suspend your disbelief, I mean anything can happen at the BBC. I mean, the monsters on Doctor Who were never so amazing as some of the monsters on the 6th floor.

Which was the best Doctor Who villains and monsters?

Well, I like them all. I mean, somehow I always wanted to be more friendly towards them, but you know, I liked them all I think. The Daleks, of course, were always shouting and always being beaten. They never learned anything. I used to like the ones that are grizzly. You know, sticky. That....stickyness.

If you could play any villain, which one would you like to play?

I was in Frankenstein: The True Story and I was going to be Frankenstein, the monster, and Christpher Isherwood, who wrote it, didn't think I was nearly pretty enough, It's true. It was a big Universal production and they gave it to a very good looking actor and they gave me the part of the ships captain. But, I've never really had the chance to play monsters. Except, of course, in my private life.

How does it feel to still be the longest running Doctor to this day?

Well, it's a bit daunting actually. You know, I'm about 29,200 days old. It's pretty daunting to think about it really. I can't believe it, you know – all that time has passed. Isn't it amazing; it almost makes me immortal – people are still stopping me in the street and saying: ‘you were really influential in my life.' I like that a lot. And if they say it nicely, I'll offer them money. Not advice, money. People are more interested in money than advice. Bugger the advice, give us the money!

In your last year in playing the Doctor in the original series, there was much made of the conflict between you and John-Nathan Turner and how you wanted to do the role and how he wanted to take the series. Was there a real conflict?

Yes, there certainly was. I didn't like his taste in anything at all. He knew that and he didn't like what I was doing because he wanted to put his mark on the programme, which was quite understandable. And when I offered my resignation, he embraced me with tears in his eyes very much. I was shocked at that. Of course, I thought he might have said "are you sure?". He was so relieved. After that, I think he sent me some flowers or something. And then we became quite good friends when all the tension was gone and it didn't matter any more. But oh yeah, there was arguments with how it should be done because it's often a matter of opinion about what's funny or what's dramatic and no two/three people agree all the time about that. But that's all in the past now. And then he died.

One of the reasons my career kind of stalled after Doctor Who, except for the audio, is that the word got around that after working with me, quite a lot of directors, you know....died. And some of them, I believe, in total agony. And the word had gone around and so naturally...I noticed that one I saw Trevor Nunn in the street, he crossed the road to avoid me. I said "TREVOR!" and he cut me and I was like 'why is he cutting me like that'. People are nervous of actors who make them die which I think is a bit wimpish.

Can you remember how you felt the first time you got a fan letter for playing the Doctor? 

Yeah, it was a good feeling but now it wears me out because the fans are very demanding. When I open the letters there are lots of instructions; telling me where to sign, what to do. Also I can tell if people are anxious by their letters because I can't get the letters open. You know those people who put on lots of sellotape. Fortunately I have a man who helps me in the garden, so he opens the bad ones. But there are lots of instructions about where it should be and they ask the same questions; you know, which girl did I love the most… That brings back memories.

You wore a fair amount of costumes during your tenure. Were there any that you didn't like wearing or were you simply not fussed? 

No no, I wasn't fussed because the costume directors I got on very well with, especially June Hudson. They're all flamboyant; I mean the last one I had was almost operatic, wasn't it. That kind of purple coat. I liked all that, and the big hats, and the scarf and everything. I'd like to have worn it in real life but I can't at my age be walking down the street with a big scarf and a walking stick. It just wouldn't look sexy.

Genesis Of The Daleks was one of several stories that addressed politics. How important is to you to have politics and meaning in the episodes that you did in the past? 

In the character that I play, the Doctor is actually rather priggish, I think. And so my job was often to hide that. He was always terribly politically correct and I notice still in the scripts that are there he's always a bit soppy really and so I tried to hide that all the time. But all that stuff about when I was going to blow up the Daleks and then I had to say that lovely line, "have I the right?" which is a cue for a song really. The reason I didn't have the right was Terry Nation would have absolutely had me murdered. You know, it was his living, the monsters. So I just tried to play the way I was really. I've always felt myself to be a kind of benevolent alien really.

Mentioning the girls you were with, the Doctor Who world still mourns Elisabeth Sladen who died a couple of years ago. She was in the show when you joined, what particular memories do you have of working with her? 

Well, Elisabeth Sladen, it was a terrible blow to me when she left because she mistakenly thought that a new producer at the end of her first year contract want to choose his own girl. Apparently that's very common. And she anticipated that by resigning and it was a terrible shock to me because we got on so well and she admired me so much and people who admire me really can be quite influential with me. I can be really quite persuaded if I get enough admiration and she was so good about that. She was replaced by Louise [Jameson], and Louise tells me – we're good friends now, often working together – I was very cold towards her and when I tell her it was because I was shocked because Elisabeth was gone, it also of course changed our physical relationship a lot because with Elisabeth Sladen, I used to be able to throw her into the tunnel and scramble after her and that was absolutely great but when Louise arrived playing the character of Leela, wearing very few clothes, I couldn't throw her into a pipe and then scrabble in afterwards without raising at least eyebrows. If you know what I mean… But gradually we became friendly.

Talking of Elisabeth Sladen, there were rumours that you were going to appear in The Sarah Jane Adventures. Was that something you were going to do? 

I think it was being mooted at a time when Elisabeth began to be ill. I'd never seen it, you see, but she was so thrilled. I always had a terrific tender thing for her, you know. I never met her out of the studio except by the time she was doing that but I never got round to doing that. I don't accept many jobs now because I think I can't be bothered... I mean, what's the point of having a rich wife and chasing cheap jobs at the BBC? It just doesn't figure, does it? Just does not figure.

Do you know what it was they were going to ask you to do? Were you going to be playing the Doctor or…? 

Well I mean of course I would have been playing the Doctor. Christ man, after I left Doctor Who and went…I mean when I played Macbeth, of course I did it in the style of Doctor Who because I felt I had to do it because the audience were all Doctor Who fans. The other actors didn't like that and afterwards some of the people said… one of the reviewers said "I had no idea that Macbeth was such a nice fellow" and exactly the same when I played in An Inspector Calls that rather dreary old sermon, some American fans used to come, they booked for a fortnight, and sat in the front row and in two days, they had got to know the play. And so they used to hang around in the corner, and then when I used to come on, they'd rush in and sort of look at me like [makes panting noise] like that. And the other actors, again had no sense of humour at all, they said "what's going on?" I said "I'm being adored, that's what's going on! What do you want to do, tell them to go away? They've bought the tickets. Didn't buy the tickets to see you", I said. And it's true. They didn't buy tickets to see him. He was big in Coronation Street but in the Doctor Who world he was nobody.

How did you actually land the part of Doctor Who?

It's only because I was in The Golden Voyage Of Sinbad and it was on next door to the BBC, the Odeon there, maybe about 50 yards from the BBC and when my name came up, they said "Tom's in a film next door", so they all piled into a taxi, because that's what they do at the BBC, and went next door. And they liked my playing a wizard or something and that got me the interviews and one thing led to another and then I was Doctor Who. As in the BBC, the cruelty when I got it, they said "right, you're on" and I said "oh that's marvellous". I was working on a building site making tea, that's all I was good for, and the guy said "however Tom…" - there's always a chilling ‘but' when you get good news, isn't there? – he said "you can't tell anyone for a fortnight". I thought "Christ, I haven't worked for 20 weeks. You know, I'm working on a building site and I had to keep my mouth shut for two weeks" – whole weeks – when I was going to play a big part. It was very painful but I was happy to do it. That's why I stayed so long. Why would I walk away from happiness?

Your last line in Doctor Who is very celebrated; "It's the end but the moment has been prepared for"...

Well, the fans liked lines like that. They like those lines, yeah. I wanted to put in more lines. I wanted to say things like "shall I compare thee to a summers day?" or things like that but the BBC didn't find that funny at all. They didn't find my ideas that I might have met Shakespeare, that in the TARDIS - which was bigger on the inside - it could be infinitely bigger, you know the girl could get lost somewhere and discover that I was a famous Elizabethan actor or whatever. They didn't like my ideas at all and I can't say I blame them. I do have some terrible ideas.

Throughout the 1970s there were numerous occasions when Doctor Who came under fire from some quarters for supposedly being too scary. What are you thoughts on that, at the time and now, and do you think it was something adults were worried more about than the younger viewers?

Well I don't know about now because I don't watch much television and things have changed. But I used to like the idea of children being scared. I used to live with an actor and he had three children in a big house in Muswell Hill, and sometimes we used to play games, it really was a big house and we put the lights out all over the place and I'd get them to count to 50 and then I'd creep about and it was marvellous the way these children would…and sometimes I could hear them squeaking with terror when I was creeping into cloakrooms or whatever. I mean, that idea of being frightened, children like playing at being frightened, don't they?
And the other thing is in television they can go much further than the cinema because in television they're watching in a domestic context – that's why it's so powerful I suppose – and when they look from what's frightening they can see fish fingers or whatever it is their mother is giving them – muesli nowadays I suppose. So I never heard anyone complain that I frightened them. I mean, just look at me and try and imagine me 40 years ago, if you can. No, I wasn't at all frightening really. Even now as an old man, I can't do fright. [Laughs]

Did you find K-9 a blessing or a nuisance?

Curiously enough, I've got rather bad arthritis now and I'm on some very powerful anti-inflammatory's and the doctor said there might be some side effects. And one of the side effects, two of the side effects I've had recently, is I've started calling my dog, Poppy, K-9 and the other thing is that I've been calling my wife Dorothy when really her name is Sue. So we've knocked off those pills and I'm just on patches now. So my memory's coming back a bit.
I didn't like K-9 at all because it meant that every time we had a shot in those days, I had to get on my knees which reminded me of the days when I was a Catholic and it was pretty bloody boring being reminded of those days. And so that was kind of boring and the dog couldn't move quickly in the old days. It was retrieved in rehearsal by John Leeson, actually playing the dog, he actually moved around. I said "why don't we give him another costume, looking like a dog, and why can't he answer the phone and play chess or something" but by that time the BBC had calculated that they were marketing K-9 and they didn't want any discussion about that. But finally I got used to it. One can get used to quite a lot.

Obviously Doctor Who's a huge part of your life and your career...
And you, by the number of questions you're asking!

Of all the other things you've done; stage, TV, film, what are the things you're particularly proud of?

Well, nothing has approached Doctor Who. Nothing at all. I've never recovered from it. That's why I'm so delighted to be still playing it. And in Waitrose and places like that, I'm still called the Doctor and lots of old ladies, who weren't always old ladies, recognise me and say charming things. They ignore Donald Sinden, and the other people and they come to me. An old lady said to me recently, after she had crashed into my trolley three times… I knew something was afoot. She said "It's so lovely to see you here Mr Baker, you know, I've been a widow for many years and I live quite close by…"
Yes, that's what I thought, yes. I thought, yes, that's good, you know, come on then, let's get to it." Then I noticed was that she also was on two sticks, so we postponed the encounter.

Do you regret never making the Doctor Who film that you planned? [Doctor Who Meets Scratchman] 

There was a talk…I wrote a film called Scratchman with Ian Marter but nothing came of it. It's still in existence, circulating; people look at it and think they can make an audio or something like that. But I was out of my depth when it came to how you would market a film of Doctor Who because the BBC, you know, it would be difficult, too difficult.

You were initially going to be in The Five Doctors, which you eventually turned down. Years later you regretted that decision. Did that have something to do as mentioned earlier with your disagreements with producer John-Nathan Turner?

I turned down The Five Doctors because it wasn't long since I'd left and also I didn't…I'd left Doctor Who because I think I'd run my course but also I wasn't getting on very well with John – later we became friends – but when I realised he was going to produced something, I thought "no". Anyway, I didn't want to play 20% of the film. I wanted to be either – terrible admission, that – no, I didn't fancy being kind of just a feed for other Doctors. In fact it filled me with horror. Now of course, if somebody asked me to do a scene with some old Doctors, if they let me tamper with the script, it'd probably be quite droll. I'll think of that.

Have you still got any Doctor Who mementos?

No, I've no mementos left at all because it was all begged off me. I had lots and lots of things but when you're a sex symbol, I mean a hero, when you're a hero, all the charities…the thing about charities, I used to explain that…you remember those people who stop you for your banks, to stop you to sign up your bank details. I used to try to explain to them how terrifying it was. I said "listen man, I'm not going to give you any addresses" I said "I'll give you some money now" and they said "we can't have money, we want your particulars". I said "listen, the minute you give anything to charity, your whole life changes". Bang goes peace of mind. You're terrified of the phone going, a knock on the door. It's what charities do, you know, they're not interested in your peace of mind, they want a piece of your money and that's understandable.

I understand that perfectly and avoid them like the plague. That's the strategy, isn't it. I mean, I help out the local hospice. I often go down there because people who are dying seem always glad to see me. I remember one old lady – they take me round and they take photographers – one darling old lady who only had about, I suppose, 30 minutes to live. She held my hand so hard and looked at me with such ecstasy and she said "oh fancy seeing you here". She said "oh! oh! oh!". Eventually she stopped saying "oh!" just before she died and I realised that she thought she'd died and gone to heaven and I was the greeter. So I don't mind doing it down there because who could resist the hospice movement?

When you were approached to appear in the 50th anniversary special, did you ever contemplate not doing it?

Yeah, I did contemplate not doing it, and I was persuaded by a girl called Caroline Skinner, who was a producer. She came to meet me in Rye, some little hotel in Rye, the heMermaid Hotel, the antique place, and she begged me to be in it, you see. And she's a very persuasive girl, and she was very charming about it, she said I could tamper with the script or whatever. So I said yes to her. And then the script arrived a few months later and I didn't much care for it. [Finally notices sweets on the table] Are they jelly babies? Would you like a jelly baby?
I didn't much care for the script, you see, so I rang the BBC and said "listen, get me Caroline Skinner". They said "Who?" I said "Is that the Doctor Who production office?" They said "yeah". I said "And you're asking me who Caroline Skinner is? The producer?" "Oh [makes muffled phone noise], I'm so sorry, she's not with us anymore". It was only later I found out she'd been murdered, you know, by someone else at the BBC I suppose who was after her job. But I never heard of her again but by that time you see, I'd agreed to do it. I'm not sorry now. I miss meeting Caroline. She was very sweet.

Are you aware that your appearance [in the 50th] upset some of the other former Doctors?

Oh, I hope so yes [laughs]. Thanks a lot for reminding me of that! [laughs]. That really pleased me. The other thing that was a terrible mistake made actually…when they introduced us all…were you at ExCeL? Do you remember Nick Briggs who does those lovely friendly interviews? Well, there were about 3000 people in there and what he really should have
done was the curtain should…there wasn't a curtain…should have called us all on stage and introduced us. But he didn't. He quite reasonably thought "I'll start with the old man in case he's dead by the time I get to him: and he said "Ladies and Gentleman, Doctor Who the fourth, Tom Baker". I walked on into the light there and it was ecstasy. The applause was tumultuous, and I thought I hope this never stops. It went on and on and on, and I was messing around to extend it and everything. And that was a terrible mistake because I know as an old actor that in a room there is only such much laughter, only so much energy, and I'd taken about 30% of it in the first 40 seconds. I kept thinking "if this goes on, the other boys are going to come on in silence". So naturally, I went on. And they came on to less energy in the room. There you are, that's showbusiness!

As such an iconic star, how much does Doctor Who affect your life?

It informs my life almost entirely outside my home because I'm a famous fiction. People, everybody in the shops around, they all call me Doctor. And I respond as the Doctor and they present babies to me and say lovely things. So once I'm out in public, especially locally in Tunbridge Wells or Rye or whatever, it impinges on me all the time but in a very benevolent way, as if some one saying "darling", I mean "Doctor" – sometimes they say "darling" – and I say hello or bless their children or something like that...[Darth Vader ringtone begins, group groans, group interview ends]

Classic Doctor Who DVD Guide To Be Published

Provisional image of the cover
A guide to the DVD releases of the original run of Doctor Who is to be published by Wonderful Books. The publisher released this press statement:

The original series of Doctor Who ran on television for 26 years, telling thrilling stories of monsters and marvels that enthralled children and adults alike. It has taken half that time to issue all those adventures on DVD, but finally you can now watch every archived episode* in pristine quality. If the prospect of setting out on such a venture daunts you, however, then fear not because The Classic Doctor Who DVD Compendium will guide you every step of the way.
Every disc, every episode, every extra is collated, chronicled and cross-referenced in this complete guide to classic Doctor Who on DVD, with spoiler-free story outlines so no surprises are ruined for those still discovering the original series, suggestions for similar tales to those you already know you like, information on the extensive restoration work that has made the episodes look better than they ever have, and details of the wealth of special features on every disc that expand your knowledge of the worlds of Doctor Who - all fully indexed for easy reference.
If you're only just learning about the long story of Doctor Who then The Classic Doctor Who DVD Compendium will guide you through the adventure ahead. If you're still building your collection it will help you discover further stories you're sure to enjoy, and if you already have every release, this book will be your ultimate companion to the complete range.
*Okay, there's still one to go.

The Classic Doctor Who DVD Compendium, by Paul Smith, is due out this summer. He has previously released books such as Time and Space Visualiser, which we reviewed here.


Happy 43rd Birthday, David Tennant!

It's David Tennant's birthday today as he reaches 43 years old, mere days after both Peter Capaldi's and his father-in-law's, Peter Davison. Happy Birthday! 

Wednesday, 16 April 2014

John Hurt: "We All Want Your Vote" for Doctor Who RT BAFTA

The One Show did short segments on each show that is nominated for the Radio Times BAFTA award earlier tonight. Here is John Hurt asking you for your vote for The Day of the Doctor. You can see who has been nominated and vote here.

Doctor Who Filming Pictures and Video - Robin Hood

Filming on episode 3 continued on Monday. The Mark Gatiss-penned episode is rumoured to be called Robots of Sherwood and several details have been revealed, including Robin Hood as portrayed by Tom Riley.

Pictures by Ryan Farrell and Colin Waymark. Video by Ryan Farrell.

BBC Worldwide Release 50th Anniversary "Regenerations" Panel Video

Former Doctors Tom Baker, Peter Davison, Colin Baker and Sylvester McCoy pose at the Doctor Who Celebration event
BBC Worldwide have released the video of the regenerations panel at the 50th Anniversary celebration in the ExCeL centre last November. Featuring the Doctors Tom Baker, Peter Davison, Colin Baker and Sylvester McCoy, this panel discusses their time on Doctor Who. You can watch the video here.

Saturday, 12 April 2014

What Would You Ask Tom Baker?

Classic Doctor Who will soon be appearing on the Horror Channel, starting with An Unearthly Child on the 18th. As part of this, The Horror Channel are putting on a press event in London on Monday.
This will include a roundtable interview with Tom Baker so if you have any questions you'd like us to ask him, please let us know in the comments below! 

We can only ask a short number of them, although we're not sure exactly how many ass this will depend on how the conversation goes.

Titan Comic Subscriptions Now Available

Print subscriptions are now open for the two Doctor Who comic series - Doctor Who: The Tenth Doctor and Doctor Who: The Eleventh Doctor, which hit comic stores on July 23, 2014.  Please note these titles are available in print and digital in the US, Canada, New Zealand and Australia. Only digital copies will be available in the UK and Eire. This is due to Doctor Who Magazine still owning the license for print comics.

Print subscriptions offer you the ability to get every issue delivered to you, in protective packaging, at a discounted price.

By taking out a print subscription, you will get every issue delivered straight to your door in protective packaging, plus receive discounts off the cover price.

Titan Comics is currently offering early bird subscriptions for Doctor Who: The Tenth Doctor series and Doctor Who: The Eleventh Doctor series. See details and links to purchase below:

Doctor Who: The Tenth Doctor comic series:

·         US Residents: Get 15 issues for $53.99 – saving 10% off the cover price. Plus receive a FREE Tenth Doctor Titan figure! To subscribe click here
·         Canadian Residents: Get 15 issues for $63.99 – saving 10% off the cover price. To subscribe click here
·         New Zealand and Australia Residents: Get 15 issues for $153.99 – saving 10% off the cover price (includes $100 shipping and handling fee!). To subscribe click here

Doctor Who: The Eleventh Doctor comic series:

·         US Residents: Get 15 issues for $53.99 – saving 10% off the cover price. Plus receive a FREE Eleventh Doctor Titan figure! To subscribe click here
·         Canadian Residents: Get 15 issues for $63.99 – saving 10% off the cover price. To subscribe click here

·         New Zealand and Australia Residents: Get 15 issues for $153.99 – saving 10% off the cover price (includes $100 shipping and handling fee!). To subscribe click here

Friday, 11 April 2014

Tom Baker Voices The Horror Channel Classic Doctor Who Trailers: "It's About Time!"

A selection of Classic Doctor Who episodes will be airing on The Horror Channel, starting on the 18th, as originally posted here. Today, the Horror Channel released a couple of trailers and a few teasers for the run-through, with Tom Baker voicing the trailers. Watch them below!

Further details to come soon.

Tuesday, 8 April 2014

Ben Miller Cast as Series 8 Villain

Ben Miller, best known for Armstrong and Mille and Primeval, is set to guest star in Series 8 later this year as a villain.

Commenting on his role, Ben Miller says: "As a committed Whovian I cannot believe my luck in joining the Twelfth Doctor for one of his inaugural adventures. My only worry is that they'll make me leave the set when I'm not filming."

Steven Moffat, lead writer and executive producer, adds: “Mark Gatiss has written us a storming villain for his new episode, and with Capaldi in the TARDIS, we knew we needed somebody special to send everybody behind the sofa. And quite frankly, it's about time Ben Miller was in Doctor Who!”

Miller's other half of Armstrong and Miller, Alexander Armstrong has appeared in the Doctor Who universe in both The Sarah Jane Adventures as the voice of Mr Smith and in The Doctor, The Widow and the Wardrobe.

Sunday, 6 April 2014

What to Watch Next: Tooth and Claw & Horror of Fang Rock


Well, sort of - "Tooth and Claw", obviously, is meant to be set there but was filmed entirely in Wales. While "Horror of Fang Rock" seems to be English (and was filmed in Birmingham, so about as far from an actual lighthouse as you could get), but the event that it's patterned after took place on the Scottish Flannan Isles. Throw in David Tennant's turn as Scottish-faking-English-faking-Scottish and the lightkeepers' ever-so-slightly-comedic accents, and it's all a mite muddled. Dicks was a good deal more subtle about his Edwardian-era trappings than Davies' ostentatiously Victorian Victoriana, mind.

The monster's pretty much the same, too - shapeshifting lycanthropic monster who's come down like a flaming meteor and has to be fought off with diamonds and a bright light source. The companions get to be hilariously out of time (though it's nice character development that Leela's learned a few things about Earth culture since her last story, whereas Rose seems to be trying to be more anachronistic the longer she hangs around with the Doctor). 

Tooth and Claw 

"Hit Me with your Rhythm Stick"
Official musical video, as per the opening. The Doctor is, of course, perfectly right that the Ian Dury and the Blockheads single made it to Number One in 1979, but it didn't come out in 1979 - in fact, it came out 23 November 1978 (one wonders whether this bit of trivia was in anyone's mind during production). The band's single from 1979 was the endearing "Reasons To Be Cheerful, Part 3".

Although, neither of those are live - and there's no such thing as too much Madness - so have another clip of "Drip Fed Fred".  

"More than you ever wanted to know about mistletoe"
Starts off from first principles - what's a parasite? but after twenty minutes it finally gets to the point with several odd anecdotes about its place in historical legend. It's a very interesting, very toxic plant and lining your library with it really would be contraindicated, you'd think.  
(You can watch the included David Attenborough clip here.)

"Kohinoor Diamond"
A short, sweet summary by an Indian news service. There were a lot of clips about it in Hindi, unsurprisingly.

They'd still like it returned, even in its cut-down form, but the UK government had consistently refused to do so (see also: Elgin Marbles, quite a lot of the British Museum). David Cameron has mouthed off to that effect recently, but not interestingly enough to link here.

Not the greatest audio in the world, but if you want to know about the botanical family of Torchwood trees (yes, they're real), this is about as good as it gets. Citruses, so they have nice orangey fruits that are apparently quite edible.

"Planned kidnap plot at Balmoral"
Davies' storytelling instincts are quite good sometimes; apparently some Irish nationalists took it into their heads to try kidnapping Queen Victoria while she was on holiday in Scotland. The date's rather earlier - 1867 - but that'd still have been early enough for Victoria-in-mourning-about-Albert and the diamond, and indeed couldn't have hurt the running-up-and-down corridors aspect of the action.

Of course in real life that meant sending an entire contingent of detective north to keep an eye on the area. One can just imagine how much sillier the pre-credits sequence could have been, with weird martial-arts monks fighting off loads of deerstalker-clad investigators...

Horror of Fang Rock

"Flannan Isle"
So at the end of the story, the Doctor quotes a poem that may or may not have been inspired by the events he's just witnessed, but which certainly inspired Terrance Dicks when penning the story. Wilfrid Gibson wrote quite a lot else (he was one of the Great War poets), but this probably is his most famous. Text here, summary here, unexpectedly fab folk song I stumbled across here.

"Pebble Mill
First part of an affectionate BBC send-off to the Birmingham studio, though sadly they didn't think to rope in anyone from Doctor Who to talk about how different it was filming away from London for a change, or even ask Peter Davison in to chat about "All Creatures Great and Small". Quite a bit more where that came from on BBC Local Birmingham, if you're interested.

The bit they don't mention about the cancellation of Pebble Mill at One was that it was Michael Grade's clever idea. Again. Heigh-ho.

The obvious comparison, as the biggest, fanciest, most exciting lighthouse of antiquity. A Tom Baker story set then would have been brilliant.
(All right, so it might have ended up like "Pyramids of Mars" with an inital historical setting that then shifts to England for no readily apparent but budget-friendly purpose - but who'd really object to more stories like "Pyramids of Mars"? Would have livened up "Logopolis" no end.)

"Bonar Law"
Skinsale showing off about how well he knows Bonar Law seems a little anachronistic, if we are meant to think it's the turn of the century - he'd only just been elected Conservative PM in 1900 (though the story can't even take place the same year as the original, what with the mention of King Edward). It's certainly not set when Law became Prime Minister, as that wasn't till the '20s...and the arrival of motion pictures.

It's one thing for the Rutans to appear only once in the classic series, but one would rather expect Strax to have run into a Rutan by now, the amount of screen time he's had. Not so, not even in one of those random shorts. The UK Gold trailer, to preserve the suspense, doesn't even show a glimpse of the monster. Ditto the fan trailers. The Horror of Fang Rock special feature trailer, naturally, goes off in a completely different direction about Terrance Dicks script-editing the show (fun, though). And the BBC episode guide clips stopped working years ago. Rutans were in "The Gunpowder Plot" game, but predictably, the preview clips don't show them either.

So, you know, enjoy the elusive green blob in all its memorable two-dimensional blobbiness. Or just go watch the story. It really is entertaining, with Dicks adding little historical snippets every few minutes, a villainous B-plot that has nothing at all to do with the monster, and Louise Jameson getting some of her best moments.

Thursday, 3 April 2014

Paul McGann "Merseyside at War" video

Liverpool John Moores University has created a "Merseyside at War" website: "Merseyside residents can now upload their memories and memorabilia, telling tales of bravery and sacrifice during World War 1, as LJMU's 'Merseyside at War 1914-1918' project was officially launched at Liverpool Central Library. The project is designed to commemorate the 100th anniversary of the outbreak of the Great War by sharing stories about how the First World War impacted the local community through an online archive.

Acting legend, star of cult films and the eighth Doctor Who Paul McGann, was back in Liverpool to add his own family history and demonstrate how people can upload diaries, letters, photos, poems, war records and birth and death certificates of loved ones who were involved in the war." 

McGann talks about it very eloquently in this video.